Blender video editing change frame rate pro#

You, of course, don’t need anything to move in the shot, but in the world of online engagement, movement keeps the audience hooked. However, having a static photograph, especially one that’s displayed vertically, can be visually boring. You don’t need any text information or motion graphics, just for the audience to look at the photograph while explaining details in it. Okay, so let’s say in your explainer video, you need to display a photograph for fifteen seconds. Rinse and repeat for the text, but remember to offset the text layer, so it comes in later.Then, frame by frame, increase the mask path in a jagged manner, skipping a few frames here and there. Then, go to the start of the lower third, and reduce the mask path until the lower third isn’t visible.Then, open the mask path properties and set a keyframe for the mask path to finish its run.Take the mask tool and create a mask around the entire PNG.Position the texture within the lower third of the composition, if it’s not already been created to sit there. Bring the texture into After Effects and place it into your timeline.First, obtain a rough texture for the lower third background-it’s perhaps better if you’re able to keep the jagged edges intact.Like the 12fps motion design choice, there’s some rough character to the appearance, as opposed to the lower third appearing stylish, sleek, and somewhat invisible. And, when paired together, it paints for a unique lower third presentation.

Likewise, the text of the lower third also appears similar, but delayed a few frames. It can sometimes be difficult to stand out against the crowd if everyone is using variations of the same lower third.Ī few of VOX’s videos have a lower third that appears step-by-step, as if being eaten-but in reverse.

Blender video editing change frame rate pro#

Your end result will look something like this:įrom Premiere Pro to DaVinci Resolve, practically every editing software now comes with a built-in selection of lower thirds. You want the blur to be a lot shorter than the camera move. Then, move forward another few frames and decrease the blur.You then want to activate the stopwatch, set a keyframe just a few moments before the edit point, move forward to the edit point, and increase the blur.Next, add an adjustment layer, and add a blur effect to the layer.You want the midpoint to peak directly on the edit point. Change the keyframes to EasyEase keyframes, open up the graph editor, and create this curve.Then move the playhead several frames after the edit point and move the camera backward (or forward). Create a 3D camera, and set a keyframe several frames before the second sequence starts.Place two separate pre-edited sequences into your After Effects composition, and activate them as 3D layers.To achieve this effect, follow the steps below. The continuous backward movement creates a linear sense of movement, and the blur between sequences blends the cut as if the camera is moving in and out of focus. In some videos, they use a method of combining a 3D camera track backward with a touch of blur. Many of the VOX’s explainer videos are incredibly fluid, and one element that promotes the fluidity is the transition from sequence to sequence-a lot of the time, it’s unnoticeable. It gives the simple, and otherwise monotonous, elements a little bit of personality. That’s what I think switching to 12fps does. That was implemented in the sequence above for our tutorial on Twitch streaming, and without that stuttered presence, the overall sequence was devoid of character. And, while it’s the smallest of design implementation, it’s so pleasing to the eye. This effect is often employed in VOX’s videos. When brought into your 24fps edit timeline, the graphics will appear stuttered due to a lack of frames. If your primary edit is 24fps, change your graphics composition to 12fps, and also render out at 12fps. This is incredibly simple to implement and requires nothing more than switching up the frame rate of your composition. You can see it implemented within the first several text animations within this video.